Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Friday, 19 May 2017

Friday 19/5/2017 - Back To The Movies, RIP Chris Cornell (dammit!) & This Week's Wristwatches.


I was still wearing the Tudor hand-wound, on an expanding bracelet, last weekend. I must admit that I do like this look. Reminds me of the men of my Dad's generation. Uncles and family friends that I knew when I was a kid back in the '70s. There's a certain simplicity and ingenuity in the design of these bracelets. Perhaps the most famous brand would be Speidel, but there was a time back in the 1950s and '60s when other brands such as Kingsway and Jacobi-Bender Champion made these.
Once adjusted to your wrist size, they are very comfortable. The Speidel one up above was an absolute dog to adjust, and I think a might have lost some of the microscopic hooks that hold the links together when I last re-sized the bracelet. No matter. I've got two more of them coming from eBay.

Can't remember the last movie I saw at the cinema. Oh, wait a sec, yes I can. It was La La Land, sometime back in February. I had planned to catch a few more movies, but life got in the way.
Went to see Guardians of the Galaxy Vol. II last weekend. The cinema that we saw it in was very, very small. Twelve rows, but they still managed to charge us full price for the tickets. The dogs. 
I wore a blast from the past, the Hamilton Khaki Officer's Mechanical;

Is it just me, or do modern movie tickets look crappy to you, too? Thermal-printed tickets mean that, if you wanted to keep it as a memento, you'd wind up with a little blank piece of paper in a few months. 

The film was good. Chris Pratt is carving out a nice career for himself. I read rumours that he could be playing Indiana Jones in a reboot which, personally, I would rather see than Harrison Ford don the fedora again at his age. The last Indy movie, Indiana Jones and The Kingdom of The Crystal Skull (2008) wasn't bad, but Spielberg and Co really did wait a little too long after Indiana Jones and The Last Crusade in 1989. 

Okay, maybe I'm running out of steam this week. Or maybe that third glass of red just kicked in.  

Switched over to the Omega Seamaster 300 mid-week;



Switched back to the Tudor for work today. I dressed a little sharper, in a never-ending battle against Casual Fridays;

Later in the day, I asked the watchmaker about the clicking sound that my watch makes whenever it's wound. I thought there might be a chipped cog somewhere to do with the winding mechanism or crown. He opened up the case-back and had a look inside.  He then told me that he'd take a crack at repairing it early next week. Said he had a bunch of parts for this movement (ETA Cal. 1080) and could get it working smoother. So, there I was, without a watch on my wrist and beginning to feel antsy. 


"Never let them see you bleed...
...Always have an escape route."

-Q (Desmond Llewellyn) The World Is Not Enough (Dir: Michael Apted, 1999) 

However, I learned a long, long time ago to always have an escape route, a Plan B, a back-up plan. Sure, here I am, working for a wristwatch brand, but it's not like I can just grab something out of our stock and just put it on my wrist.

So I made my way to the car-park and grabbed my 'Q Branch' kit out of the glove-box of my car. Aside from the nail clippers, head-ache tablets, USB stick, Burt's Bees lip balm, BIC lighter, sugar sachets, Swiss Card, Band-Aids, etc, etc, there is also a mechanical wristwatch on a Waterborne NATO strap;

This was a moment-of-weakness eBay purchase from a few years ago. It's a Trident (yes, a bullshit brand that some guy came up with), a 1950s Rolex Submariner 'homage'- and I'm being very generous with that term- that is flimsy and cheap-assed in so many ways that I would use up the rest of the internet describing everything that's wrong with it.
But, it does have a Swiss ETA movement in it. And I just needed it to keep ticking for the next two and a half hours or so until I got home.

It would do. Not nicely, but it would do;


I was extremely disheartened to hear of the death of singer/songwriter Chris Cornell yesterday, and it was heartbreaking to learn earlier today that he had taken his own life.
I didn't know much about him beyond his work with Soundgarden and his fantastic title song for Daniel Craig's first Bond film Casino Royale in 2006. It wasn't long after that that I got hold of his album Carry On and developed an appreciation for his razor-sharp voice.
I thought 2016 had been a bastard-coated bastard with bastard creme filling* and I'd hate to think that this year will bring us more misery as the Grim Reaper takes away more talent.

Cornell was only 52 and tributes have flooded the news and social media in the past day or so and, aside from a prolific body of work and a respected place in rock history, he leaves behind a wife and three children.

I'll leave you all with this clip off YouTube, of his acoustic rendition of Prince's song Nothing Compares 2 U. 
It showcases his wonderful voice and further demonstrates just what the world of music has lost this week.

Thanks for reading.



* that term came from a fellow member on a wristwatch forum that I frequent. Funny, funny line.

Friday, 28 April 2017

Friday 28/4/2017 - Mixing With Mix Tapes, Here's That Camera Strap, Joe! & This Week's Wristwatches.

Started the weekend wearing the Camy Club-Star;

Thirty pages left of The Whites. It's been a great read so far. Richard Price has always had a great ear for dialogue. I've read a few of his earlier works and I didn't mind them, but when he started writing crime stories, I really began to take notice. He's also known for writing screenplays, for films such as Sea of Love, The Color of Money and Mad Dog & Glory.


Finally got around to switching the NATO strap back to steel bracelet on the old Seiko SKX031;


And put a leather strap onto the Omega Speedmaster that I was wearing on Sunday;



 Speaking of straps, Joe Van Cleave commented on my last post, asking how I made the wrist strap for my camera. I thought I'd put up this quick post outlining what was involved in turning an old leather belt into a short wrist-strap for my Olympus OM2n SLR.

It was, by no means, a perfect job, but I think it should hold for quite some time, and it makes a bit of a change from your standard over-the-shoulders camera straps. Although, this type of wrist strap is usually made for smaller cameras. I've seen quite a few Fujifilm X100s sporting these short straps. 

Anyway, I had recently purchased three leather belts from a website that was running a special deal. Three  belts, in three different colours, for $99USD. Seemed like a good deal. I was looking to get myself some belts with brass hardware. This set comprised of one black, one dark brown, and one tan coloured belt, all featuring shiny brass buckles. 
I was extremely, and I mean extremely, disappointed when these belts arrived. They basically looked like something I might have made in a leather-work class back in high school. The end of the belts were uneven, there were some pen or pencil lines visible on the reverse side where they had been measured, and the leather was very stiff. Not only that, but the Chicago screws that held them together were loose, not even fully tightened.

Worst of all, they were a little too short. Sure, they buckled up, but I was fastening them on the last hole. I had followed the sizing instructions correctly, since it was very basic and I was majorly ticked-off to receive these 32 inch belts which had so little leather left in them once adjusted. This stiffness of the leather was something that I figured would soften up over time, so that wasn't a major issue. I had bought these belts with a view to looking after them to see if I could get a couple of decade's use out of them like the cheap ten-dollar belt that I got at a market stall back in the Eighties. 
If you buy yourself a decent-quality belt, it will grow old with you. If you give it a once-over with leather conditioning cream every now and them, it will outlast you. 
These three pieces of crap looked like they wouldn't last until the end of the year! 
I was tempted to write to the website to let them know how disheartened I was, but I didn't want to get the old what-did-you-expect-for-a-hundred-bucks? line from them. Factor in shipping and the exchange rate and I paid around $140 Aussie dollars for these.
Ahh well, maybe my son will get a year or two's wear out of them. Mind you, he's sixteen now and already as tall as I am. But he also has my Jaggeresque snake-hipped waistline, so these might fit him okay. 
If he ever wears those chinos that we bought him last year.

 
Notice the vertical measurement line on the end of the belt? And the ends are uneven. AND the leather has a nick in it! Sure, that means that this thing was hand-made, but it seems to have been done by a kid. On his first attempt.
Shoddy, shoddy work. 




Anyways, time to turn this lemon into some form of lemonade. I wasn't going to use the belt itself for this strap because it was far too wide for my linking, so I rifled through my bag of leather samples and dug out this belt that I had snagged for a few bucks some time ago. It was about one-and-a-quarter inches wide.

What I was gonna use from the new belt was one of the Chicago screws that were used to fasten the belt closed near the buckle.  I would be keeping the brass buckle too, so that someday I can take it to a leather-worker and ask to have a much better belt made.
I've been meaning to buy a bag of Chicago screws off eBay for a while, figuring that I could make a new carry handle for one of my typewriter cases using them. I'll get around to it someday.

So, back to the old, three-dollar belt that I was using for the strap. I cut a 17 inch length of the belt and then folded it over so the the two ends would meet. I then used a drill to bore a hole about 1.5 inches from the end. This is where the Chicago screw would go. Ideally, I'd have preferred a slightly longer one because it seemed that this would be a very snug fit, but this was a minor issue.

I pushed the Chicago screw through the drilled hole and tightened it as best as I could. It would probably be a good idea to use a little LocTite on the screw threading, but anyway. 
The idea with using this screw was to create a small stopper for the ring that I would be using. Also, the screw would look a little decorative, contrasting nice and brassy against the dark brown leather.

Next step was to drill two smaller holes on the opposite edges of the joined up belt. This is where I would stitch some thread through, to mimic the stitching on the minimalist watch strap like the one on the Omega Speedmaster up above. I used the second smallest drill-bit I had. 

I had some kind of cotton thread that I took off some old curtains years ago.  This is what I threaded into the largest-eyed needle that I could find in my wife's sewing kit. The actual sewing process was heavy going because I had to use quite some pressure to get the threaded end of the needle into the drilled hole. Sorry, Joe, I didn't take pictures of the process, but I hope it becomes clear as you look at shots of the finished product. 
The idea with this minimal stitch is to just loop the thread through each hole once or twice. You sew it through one hole and then snip off the end of the thread, tie a knot in it (optional, in my case. I forgot) and then sandwich it into the middle of the two ends of the belt/strap. 
I finished one side and then re-threaded the needle and did the other. The plan with this set-up was to put a ring through it, so that it sat captive in between the stitched end and the Chicago screwed end.


I made a slight hash of the second pass through the hole when the strap caught on the inside edge of the belt. No big deal.
Once done with the stitching, I spent a few moments slowly edging the ring through until  it was secure between the two ends of leather. I got a smaller ring and threaded that through the larger one. The small ring would be the one that would attach to the camera.

Lastly, I used a thinner strip of leather (from an old pair of lady's leather boots), cut an oval piece about the size of a quarter (or maybe a dime), cut a small slit through the middle of it and then pushed it through the eyelet on the camera body. I've seen variants of this on camera straps, designed to prevent the ring from scratching the camera body, I imagine.

And that's it, Joe. If I had to do it again, maybe I'd just use two Chicago screws and the large ring in between them, with maybe a stitch of thread at the end to act as a brake if the lower Chicago screw fell off.

All in all, this was not a perfect job (far from it!), but it should suffice for my purposes. Besides, I've been toying with the idea of making my own watch straps and this endeavour was good practice.





I hope this was of some use to you, Joe.












Tuesday - ANZAC Day

Public holiday here in Oz as we (and New Zealand) commemorated the sacrifices and efforts made by those who served in the armed forces. 

I decided to make another tiramisu. My daughter would join me in preparing this dessert and I figured we needed some background music as well, so I flicked on the iPod dock and we got to work. I chose a Mix Tape compilation (showing my age there. The kids these days call 'em 'playlists', but I'm old-school, as you'd know by now) and cranked up the coffee machine for the two cups of black coffee required. My daughter separated three egg whites as Shari Nelson filled the room with her incredible voice;

"The curiousness of your potential kiss
Has got my mind and body aching,
Really hurt me, baby,
Really hurt me, baby,
How can you have 
A day without a night"         
                                                        - Unfinished Sympathy (Massive Attack) 

I wore the Omega Speedmaster, seen here with the ingredients for this dessert;





We didn't have the required caster sugar, so we made do with raw sugar. The recipe called for a 1/3 of a cup, but I went with a quarter. This is a rich dessert as it is. I hand-mixed the sugar and egg yolks for a couple of minutes while the iPod shuffled over to the next song;

"You didn't know what Rock & Roll was
Until you met a drummer on a Greyhound bus,
I got there in the nick of time
Before he got his hands across your state line"
                                                                           -Once Bitten, Twice Shy (Ian Hunter)

We then mixed up 300ml of cream and 250g of Mascarpone cheese. I began to lament the fact that we didn't have an egg beater as my forearm muscles began to warm up and ache. We then added the sugar and egg yolk mix before my daughter gave the separated egg whites a light whipping, while I poured the two cups of coffee into a bowl and added a 1/3 of a cup of Marsala as the next track reached its third verse;

"It's fair thee well, my old true lover,
I ne’er expect to see you again.
For I'm bound to ride that Northern Railroad,
Perhaps I'll die upon this train"
                                                    - I Am A Man Of Constant Sorrow (Dan Tyminski, from the soundtrack to "Oh Brother, Where Art Thou?" , Directed by Joel & Ethan Coen, 2000)
 
"Hey, Dad, did the Rolling Stones call themselves that because Rock & Roll was getting bigger and more popular?", asked my daughter. I paused the next track on the iPod and searched for my favourite exponent of the Blues, Mr McKinley Morganfield, otherwise knows as Muddy Waters. I found the song I was looking for, and it opened with a deep-voiced "Ohhhh, yeah" before we hear one of the classic blues guitar riffs of all time. I played the song until we got to the line "I'm a man! I'm a rollin' stone."

The completed mixture looked a little runny, so we decided to whip it up for a few minutes, while Rod Stewart belted out a husky-voiced classic. It starts off with a short guitar intro that would be the perfect soundtrack to barrelling down Route 66 in a rag-top '65 Mustang before we get a slower-beat chain-saw guitar riff for a few seconds before the drums kick in.
It's Stewart's best song, in my book;

"Won't need too much pursuading
I don't mean to sound degrading,
But with a face like that,
You got nothing to laugh about

Red lips, hair and fingernails,
I hear you're a mean old Jezebel
Let's go upstairs and read my tarot cards"
                                                                                                     - Stay With Me (Faces) 

The mix still wasn't thick enough. Another song, Princess!


"Well I'm not the world's most masculine man,
But I know what I am 
And I'm glad I'm a man
And so is Lola
Lo-Lo-Lo-Lo-Lola, Lo-lo-Lo-Lo-Lola"
                                                                                   -Lola  (The Kinks) 

By the end of this song, the consistency of the mix was a little thicker. Good. Time to build this sucker.

My daughter then brought up The Beatles;
"I was singing 'Golden Slumbers' and J***** (one of her school friends) heard me and said 'Oh my God, do you know that song? Nobody in this school knows that album!' And then we talked about how it doesn't finish and it goes straight into 'Carry That Weight'." 

So I then searched the playlists until I found Abbey Road, all the while explaining to my girl that these two songs follow on from She Came In Through The Bathroom Window;

"And so I quit the P'lice Department,
And got myself a steady job
And though she tried her best to help me,
She could steal, but she could not rob"
                                    - She Came In Through The Bathroom Window  (The Beatles)

We positioned the ceramic rectangular baking dish on the bench-top and laid down a row of the Savoiardi sponge finger biscuits. Each biscuit had been dipped into the coffee/Marsala mix first.  Then we slathered a layer of the mix over the top of them. While doing this, I went on to tell her that I thought that McCartney had the best voice in the band.

"How come?"

"Oh, he just had a great range. He could hit these high notes, but he would almost be yelling. I could never get my voice that high."

"Did he go on to have other bands after The Beatles?"

"Oh yeah, he had Wings."

And then, to illustrate both points, I put on Sir Paul belting out Maybe I'm Amazed. And, of course, the lyrics. It was always about the lyrics;

"Maybe I'm amazed at the way you love me all the time
Maybe I'm afraid of the way I love you
Maybe I'm amazed at the the way you pulled me out of time
And hung me on a line
Maybe I'm amazed at the way I really need you
Maybe I'm a man and maybe I'm a lonely man
Who's in the middle of something
That he doesn't really understand"
                                - Maybe I'm Amazed (Paul McCartney & Wings)
   
I flicked the iPod back to Abbey Road. We continued dipping biscuits in the coffee/Marsala mix and we continued to build another layer of the tiramisu as John, Paul, George & Ringo continued to weave their magic, almost 48 years since they first did so with this album;

"And in the end, 
The love you take
is
  equal 
       to 
         the 
            love
you make"                                                      

I have to say that I find it difficult to listen to The Beatles these days without getting teary. I've been this way for quite some time. I was deeply saddened when John Lennon was killed back in 1980. Back then, following the success of Double Fantasy, Lennon's first album since 1975, there was yet another rumour floating around that The Fab Four might get back together. If not to write more songs, at least to tour. That would have been extraordinary. I was further saddened when George Harrison died in 2001, and when my wife brought home the double-CD Concert for George, it was Ringo Starr's (of all people!) introduction to his song Photograph that got me a little misty-eyed.
Ringo, of all people!!!

The Tiramisu was done. Time to put it in the fridge for a few hours. But first, it needed some flourish. 
Ladies and gentlemen, The Ziggy Stardust Edition --->
 



Still had the Omega Speedmaster on my wrist on Wednesday;


Switched over to the Omega Seamaster AquaTerra on Thursday. My wife brought home a couple of books from work. Night Trains sounds interesting. It's about the Golden Age of Rail travel,  from the days when you would take a sleeping-car to Berlin or ride the Orient Express from Paris to Venice, rubbing shoulders with aristocracy, pick-pockets, and foreign spies.
Lines In The Sand is a posthumously published collection of articles by the late A.A.Gill. I'm still saddened by his death late last year. 


And that's another week done. I have to say that tiramisu section of this post got somewhat out of hand. Anyway, I think I'll have a little slice, with a cup of Earl Grey. 
Oh, I wore the Seamaster 300 today.

Thanks for reading and have a great weekend, all!

Friday, 15 January 2016

16/1/2016 - RIP David Bowie (My God, It Hurts Writing That), New Job Continues & This Week's Wristwatches.

I spent most of last week learning the ropes at my new job. It's a steep learning curve, but I'm confident that I'll get the hang of it. The two main areas of learning have to do with the operating system used for optometry, and the overall pricing structure for the products themselves. I've gotten proficient at appointment setting and have a reasonable grasp of lens scripts, but still have some way to go. Both of the staff members who have been training me have said that repetition is the best way to learn. I have to agree. I'll get better at the job as I go along. 
The main down-side to this gig is that I've been hired as a casual employee rather than a part-time one. Something that I was not told about during my interviews. This means that I'm not entitled to sickness leave or holiday payments. To be honest, while I am a tad disappointed by this, I'm not overly fussed because this job was designed to get me back into the workforce and into a regular routine. I could be there three months, I could be there a year. Either way, I'm keeping my options open and will continue to look for work. Everybody always says it's easier to look for a job if you already have one. I'll put that theory to the test. 

"Wake up, you sleepy-head,
Put on some clothes, shake off your bed,
Put another log on the fire for me,
I've made some breakfast and coffee.
Look out my window,
And what do I see?
A crack in the sky and a hand
Reaching down to me,
All the nightmares came today,
And it looks as though they're here to stay."
         
               -Oh, You Pretty Things
                 D. Bowie
Monday
               January 11th marked eleven years since my Dad died, so I planned to light a candle for him. My brother sent me a text message to remind me (I didn't need reminding) and then he added some comment along the lines of '...and David Bowie, too.'
"Oh no, oh no, oh no", I thought to myself as I grabbed the iPad and ran a quick search. 
And there it was. David Bowie had died after an eighteen-month battle with cancer. 
I felt a part of my life and my soul gently being wrenched out of me. 
I lit two candles that night.

I spent the next couple of hours reading reports and tributes on the internet. One or two of them were blog posts, thinly masquerading as news reportage, written by those who had neither a clue or an appreciation for Bowie's talent, output, or place in the world of popular music and culture.
I have nothing further to add to the multitude of well written articles that have appeared in recent days. Some of them were both touching and accurate. Here's a good one, which offers a decent biography of the man;


So instead, I'll just write about how David Bowie and his music affected me.
I was seventeen when I heard on the radio that he would tour Australia, in conjunction with the release of his album Let's Dance in 1983. I decided that this should be the first rock concert that I went to. Might as well start high, hey?
And it was a fantastic concert. I knew the songs of his latest album, and I knew of his more well-known hits of the past. The man had given us a prodigious and eclectic output over the years, and he had a knack for being ahead of his time. 
We were seated quite a distance away from the stage and I decided half-way through to try to get a little closer. I headed over to the far right of the crowd and managed to get a better view of him from about ten or fifteen rows from the front. He was wearing a buttery yellow suit which almost matched the colour of his hair. 
It wasn't long after this concert that I began to snag his other albums on vinyl. 
It was a great concert.

He returned to Australia in 1987 for his Glass Spider Tour. He played three outdoor dates in Melbourne and I went to them all. The first night, it rained, and the start time was delayed by about an hour as roadies hit the stage with mops in their hands while we stood in the crowd. The rain continued and I stood there, getting soaked with my friends.
Then, the crowd let out a roar as Bowie walked out on stage; "You people are incredible", he said. He was impressed with our resilience to the elements. 
"Sorry, but because the stage is still wet, we'll have to alter the performance tonight to avoid any injuries to our dancers. So, treat this as a dress rehearsal, if you will.", he added. 
The concert began shortly afterwards and sure, there was less choreography than originally intended, but then, we were there to see the man sing, after all.
Peter Frampton was part of his band for this tour and he did great backing vocals on Sons of The Silent Age. 

We went along to the next performance and it was spectacular. This time, the stage was dry and the dancers did their thing. It was great. 
The following night, my buddy John and I decided to go along to the final show, but we didn't have any tickets. No matter. We stood across the road from the venue and listened to his show. We scaled a seven-foot high brick wall and stood on its edge for two hours. 
'Cos that's what you do for rock & roll. 

I saw Bowie interviewed by Charles Wooley on 60 Minutes back in 2002. Wooley asked him what it was like to be a father again. Bowie's wife, Iman, had given birth to their daughter Alexandria Zhara in August 2000. Wooley then enquired; 'Can you count how many nappies (diapers) you've changed since she was born?'
Bowie let out a long laugh and then replied; 'Yes!'
I always found that to be a very funny response and in various interviews that I've seen and read over the years, he always came across as quite personable. He was able to give serious responses to serious questions about his music and he often peppered his interviews with a layer of humour as well. He just always came across as a likable guy.

Bowie studied mime under the legendary Lindsay Kemp back in the early 1970s. In the concert footage from his Diamond Dogs Tour of 1974, he is seen doing the moonwalk almost a decade before it was made famous by Michael Jackson. Bowie gives a flawless rendition of this dance/mime technique and to see him do it is a thing of beauty as the soles of his feet glide smoothly across the floor yet his body remains rooted on the spot. 

I will admit that I haven't kept abreast of Bowie's music over the last 25 years or so, but I've remained a fan of his ever since that November night in 1983. His mark on music and pop culture is deep. 







The classic cover photo from his 1973 album Aladdin Sane. 




Provided the inspiration for this image of Homer Simpson which was published in Rolling Stone Magazine in 2002.










And Drew Barrymore is seen in a similar make-up during the flashback sequence in Charlie's Angels: Full Throttle (Dir: Joseph McGinty Nichol, 2003);


David Bowie's influence was both far and wide. He invented the idea of re-invention, never remaining the same character for more than a few years at a time. Madonna took note of this.
When I first played his soundtrack album to his 1973 concert Ziggy Stardust And The Spiders From Mars, I was amazed by the crowd's reaction when he announced at the end; "Not only...not only is this the last show of the tour, but it's also the last show we'll ever do."
The crowd let out a collective scream. You'd have though he had just murdered somebody up on stage which, in a way, he had. It was the end of his Ziggy Stardust persona.

His music changed too over the years. From his Glam Rock days as Ziggy Stardust to his synth-heavy mid to late '70s German period, featuring a great version of Bertolt Brecht's Alabama Song and his classic, classic, classic song Heroes, to his poppy Let's Dance album and Absolute Beginners single, to his turn as lead singer of a band called The Tin Machine in the late 1980s/early '90s, Bowie was constantly in motion, carving out new personas and music. 
After undergoing heart surgery in 2004, Bowie retired from touring not long afterwards, but he kept writing and releasing more albums over the years.


I stepped out to my local supermarket on Tuesday night to get some supplies. As I reached for a carton of milk, I heard the unmistakable opening riff from Rebel, Rebel. And almost burst into tears.

Thursday afternoon, my wife and I dropped some items off at a local thrift store. Two minutes after I walked in, Ashes to Ashes started playing over the sound system and my mood plummeted again.


Oh, about the eyes. The misconception was that he had one blue eye and one green eye. The truth is that he received a punch in his left eye when he was a teen (it was a fight over a girl, the only fights that matter) and this caused his pupil to dilate. It remained that way, further adding to his mystique over the years.

 
David Bowie turned 69 on January 8th. My birthday was four days earlier, so I suppose I've always felt a certain, albeit tenuous, kinship with him being a fellow thin white Capricorn. Similarities end there. That date also saw the release of his latest album. It was his birthday, but we got the gift. The album has no official title, but features a black star on its white cover. Hence, it has been referred to as Blackstar. 

Here's a couple of the final pictures of Bowie, taken by Jimmy King just a few weeks ago. The sharpest looking retiree on the planet;



A great part of me would like to hope that Mr Bowie still had much to be happy about, despite his condition. Long-time friend, collaborator and record producer Tony Visconti stated this week that Bowie was looking forward to getting started on his next album.

In the information overload age of the Internet, I admire the fact that his ill health was kept private from the outside world and I absolutely respect the man for keeping this to himself and those close to him. It showed a certain stoicism that we don't often see anymore.
Of course, the news of his passing came as a greater shock as a result of the world not knowing of his state of health. David Bowie wasn't meant to die at the age of 69. He was meant to live to 200. 

It's now just gone ten o'clock on Friday night. My daughter has a couple of friends here for a sleep-over. Gonna be a long friggin' night.
I had to take the cat to the animal hospital last night after a sudden health scare. Which wasn't as scary as the bill they presented me with for the consultation. They offered to take x-rays and perform a blood test, but I didn't have the EIGHT hundred dollars that would have been required. Took her to the vet this morning and they kept her there for most of the day. Turns out she had constipation. That would explain the howling over the last few days. Madame is resting comfortably, in case you're wondering.

I read the news today, oh boy. Another talented Englishman, actor Alan Rickman, taken away by cancer at the age of 69. It's been an awful week. Nobody's safe. Rickman first came to our attention for his cold, charming and witty performance as Hans Gruber, the main villain in Die Hard (Dir: John McTiernan, 1988). He went on to star in numerous other films in Hollywood and the UK and gained further acclaim and attention for his role as Professor Severus Snape in the Harry Potter films. He had a rich voice and delivered subtle and nuanced performances in everything he did. He certainly made Robin Hood: Prince of Thieves (Dir: Kevin Reynolds, 1991) a better film with his wickedly funny portrayal of the Sheriff of Nottingham. He was a gifted stage actor and director as well.
So yeah, gang, it hasn't really been a week for talking about wristwatches, but for those of you who wanna know, I wore the Omega Seamaster AquaTerra Co-Axial all week. Changing wristwatches seemed to be the last thing on my mind;


And finally, one last picture of the visionary singer/songwriter (among a host of other talents) whom we lost this week. I'm still in shock over his passing.


David Bowie was always a snappy dresser, but The Thin White Duke was particularly sharp.

I'm glad and grateful that he existed, and for what he gave to the world of music, and I hope that those close to him find some comfort in the outpouring of grief and appreciation that many of us have displayed over his untimely death. He will never be replaced.

Thanks for reading.

Monday, 14 April 2014

Springsteen Rocks!

I sat down a couple of months ago and watched a DVD of a Bruce Springsteen (and The E Street Band) concert performed at Hyde Park, London, in 2009. I had forgotten how great a performer he is.
The first concert I ever went to was part of David Bowie's Serious Moonlight Tour back in 1983 and that was a fantastic show.




Picture courtesy of http://darkcircleroom4.blogspot.com.au | David Bowie Serious Moonlight Tour

Bowie had been in the game long enough to know how to put on a great concert. It was a memorable show. The Thin White Duke was in fine form. And his suits were to die for.

A couple of years later, Bruce Springsteen released "Born In The USA". I didn't know much of Springsteen's music, but I recall hearing one of his songs when I was much younger and would sit up in bed listening to AM rock radio station 3XY. His classic track Born To Run got regular airplay and, even though I hadn't heard any of his other songs, the way the DJ spoke of him made me think that this was a very well-respected and revered musician. He kept referring to him as 'The Boss'.
And so, fast-forward to 1985. "Dancing In The Dark" is the first single released off Springsteen's album and it was soon announced that he would be touring Australia. I had bought "Born In The USA" a few weeks earlier and it had been on "high rotation" (radio DJ lingo. Basically, I played this album a lot) under the stylus of the Pioneer Rondo 3000X turntable.
I knew that I had to get tickets to this concert.

Picture courtesy of http://www.posters57.com

But first, I had to get my driver's licence.
About a month later, I had my driving test (after taking lessons, of course) and I got my licence...on the same day that the Springsteen tickets went on sale.
The ticket agency was at a shopping centre a few suburbs away and tickets for The Boss would go on sale at 10:ooam. Sharp.
I needed some wheels, man.
And I needed 'em fast.

"I got a '69 Chevy with a 396,
Fuelie heads and a Hurst on the floor,
She's waiting tonight down in the parking lot
Outside the 7-Eleven store"       
 --"Racing In The Street"  by Bruce Springsteen, taken from "Darkness On The Edge Of Town", 1978.          

picture above courtesy of http://www.conceptcarz.com/view/photo/159347,170,0,0/photo.aspx


But nope, I didn't have access to a classic American muscle car. I had to make do with this;


My Mother's Datsun 200B. Same colour, too. Man, when I think of the begging that I had to go through to get the keys to this thing, I think it would have been easier to get my hands on a '69 Chevy Camaro. And no way did my Mum's car look as badass (if that's even possible) as the one in the photo above.

INT: KITCHEN--MIDDAY

Teeritz bursts into the kitchen. His mother turns from the sink.

                              TEERITZ (In Italian)
                    Hey, Ma, I need your car.

                           TEERITZ'S MOTHER (In Italian)
                    Ha! Get out of here.
                   
                              TEERITZ
                    Come on, I need the car.

                           TEERITZ'S MOTHER
                    What for?

                              TEERITZ
                    There's a singer coming to
                    town to play a concert and
                    the tickets go on sale today.

                                                                  TEERITZ'S MOTHER (voice rising to "Costanza's parents" level)
                    But, are you crazy? You got your
                    licence a day ago, you're crazy.
                    Leave me in peace.

                              TEERITZ
                    Aww, come on, it's over in *****,
                    near the market, I'll be back in an
                    hour.

                           TEERITZ'S MOTHER
                    Teeritz, stop and get out. You
                    just got your licence and I'm
                    not giving you the keys to run
                    my car into the back of a tram.
                    Young people are always the ones
                    who have accidents, get out!

This 'banter' went on for about another ten or fifteen minutes. Brother, was it tiring. Finally, she gave me the keys and I got the hell away from her.
I got to the ticket office around 11:30am. Naturally, there was a long queue. I would be getting two tickets. One for myself and one for my older brother.
I checked the ticket prices displayed above the box office; $23.00 each.
I began to feel a rising panic. I thought they were $22.50 each.
Then I checked the money in my wallet.
Two twenties and a five dollar note...and nothing else.
I was a dollar short.

"Oh, no fucken' way, man!" was the only thing running through my mind for a couple of minutes, like some kind of profane mantra.
I looked up at the lady in the box office, wondering if she would let me have the tickets for a buck less. I had a thick head of hair and a deep voice back then. Highly doubtful. The hair's mostly gone, but I still got the deep voice.
I could feel a cold sweat break out on my forehead. I didn't have an ATM card back then and I certainly didn't have a credit card.
I scanned the faces in the queue. And by some miracle, there was a guy named Marcus* standing about six or seven people ahead of me. He and I went to the same secondary school. We were in the same year, although he was in another class.
It was worth a shot.

"Hey Marcus, how's it going?"
"Hi, Teeritz, yeah good. You getting tickets?"
"Yeah, but I'm a buck short. I thought they were twenty-two bucks fifty. Listen, have you got a dollar you could spare me?"
"Oh, man."
"Obviously, I'll pay you back." (not really knowing when I'd see him again, although I had previously bumped into him once or twice in the main Italian restaurant/café precinct in my city)
Marcus reached into his jeans and fished out a dollar coin. A buck back then was the equivalent of about $3.50 today. He handed it to me. A little reluctantly.
"Thanks, man, you're a life-saver! I'll shout you a coffee next time you're in Lygon Street."
"Yeah, you'd better."

I haven't seen Marcus since, but if I ever do, I'm gonna hand him ten or fifteen bucks. That's one dollar from 1985 adjusted for inflation. Give or take. Mathematics was never my strong point.
And I'll buy him a coffee too.

*Marcus is not his real name.

I went to the concert on that night in April of 1985 and what a phenomenal show it was! Springsteen and his band were on stage for over three hours. It was an amazing performance. The E Street Band was tight, and The Boss had us all in the palm of his hand.
He would tell little anecdotal stories about his life and, from memory, he and his father had a difficult relationship. It was quite touching to hear him tell of how he nervously waited to hear whether or not he'd be called up for the Vietnam Draft. In the end, he was classified 4F (unfit for duty) due to injuries sustained in a motorcycle accident when he was younger. On the day that he found out, he got home and his father asked him about the draft. Springsteen told him he'd been declined. His father responded with; "I'm glad."

I had once read that U2 had arranged to meet with Springsteen to learn a little more about how to relate to an audience. This was around the time of their Lovetown Tour in 1988/89. Sorry, boys, but if you need to learn it, then you ain't ever gonna learn it. And that's coming from somebody who's been to five of your concerts since the mid Eighties.

Bruce Springsteen was able to distill a performance in front of tens of thousands of people into something resembling an intimate club gig. The audience was hushed whenever he spoke and it felt like he was speaking individually to each and every one of us. Sure, I was standing amongst thirty-five thousand other people, but it felt like I was the only person there. I've read of people saying they've been to concerts where "it felt like the singer was speaking directly to me" and that night, I understood perfectly what that meant. I was experiencing something special and unique and I've never experienced it at any of the other dozen or so concerts by other artists that I've been to since.

Later on during the show, I heard a lady in front of me say to her boyfriend; "He's got all the right muscles in all the right places."

Most of my Springsteen albums (yes, vinyl) are stored away. I have a couple of CDs within easy reach, but I look forward to the day when I can pull a record from its sleeve and gently lower a stylus needle into the groove and twist the volume knob up a little to hear The Boss plead with Rosalita, or remind me that everybody's got a hungry heart.


Bruce Springsteen has always represented a mythical America. To me, anyway. He's always come across as a modern poet of the working classes, built of denim and chiseled biceps, exhaust fumes and axle grease, a champion of struggling farmers, Vietnam Vets and patriotic steelworkers. The kind of guy who'd give you his last cigarette (if he smoked), the keys to his '71 Mercury Cougar or the shirt off his back.

I made a new friend on that April night in 1985. His name is Bruce.


Thanks for reading!
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POST-SCRIPT; Hey, waddaya know? Post number 200!