Showing posts with label typewriters. Show all posts
Showing posts with label typewriters. Show all posts

Sunday, 15 September 2024

2024 So Far - Random Stuff, Books Read & The Watches I Wore


 
 


This section below was written sometime back in June...
 
It's been a busy 2024 so far and time has definitely flown. 

Back in late January, my wife and I were feeling a little worn out and we figured we could use a quick break. We visited Ho Chi Minh City back in 2019 - ahh, the days before Covid - and again last September, and we felt that a week of not doing anything in sunny climes would be just the ticket. So we booked it and jetted off just before Good Friday.
Up above is a photo of the Independence Palace (also known as the Reunification Convention Hall), which has been left virtually intact since the 1970s. And it's all absolutely beautiful!


The Cabinet Room, seen here with its magnificent board table where ministerial meetings took place. I was stunned by the sheer breadth of these rooms. The entire palace is made up of these spacious areas, each made to be used for differing purposes and events.

The palace was rebuilt and completed in 1966 after the original palace (built in 1873) was damaged by a bomb attack by dissident Republic of Vietnam Air Force pilots and its overall design is representative of the era and heavily influenced by a Vietnamese aesthetic. 

We had no firm plans for this trip. No major sightseeing, no straying too far from our hotel. We spent the days walking around, visiting a nearby shopping centre, talking about future plans, our jobs, the kids, and we basically took things easy. It was nice not to be at work for a while.
And once again, I must've eaten something slightly dodgy because I ended up with a gut-ache on the last couple of days, but I didn't let this spoil the trip. I just ate a little less, and stuck to soups and easy to digest stuff.
 
There's a chain of cafés named Runam and we were within walking distance of three of them. They make this fantastic steak called BÒ ÚC NƯỚNG ĐÁ. I'm not even going to attempt to pronounce it and, since I cut and pasted it off their online menu, I'm not gonna switch it to lower-case because I'll lose the accents and tone marks above each letter, which I'm sure will vastly change the meaning of the name.
Example - when we were in Ho Chi Minh City back in September/October last year, my wife and I went to get a massage. 
I got onto Google Translate on my phone in our hotel room and quickly punched in the sentence; Please do not massage my feet. I had an operation on them last year.
We found a respectable massage/beauty salon in a nearby street and made our way in. I showed my message to the young lady who would be treating me and she looked at it and laughed. We explained my recent bunion operation to the owner of the place and she instructed my masseuse not to work on my feet. 
Later that afternoon, once we were back in our hotel room, I translated the Vietnamese phrase that I had shown the masseuse on my phone back into English and it read as; I am a magician. I had to send my brothers to another dimension.
That explains the giggling, bless her. 
Somewhere along the line, Google Translate had removed the accents and tone marks from the letters in the phrase and completely (and I mean completely) altered the meaning. Chances are high that I must've hit a wrong key somewhere. 
Either that or I'm a magician who sent his brothers to another dimension.
 
Okay, back to the steak at Café Runam. This steak was a 250gm piece of Angus beef served on a hot stone. I had mine served with sautéed potatoes and a mushroom sauce on the side. This stone stayed hot throughout the duration of my meal. I could feel the heat coming off it as I ate the steak. I rested a potato on the stone and it continued cooking. It was a filling steak, for 530,000.oo VND, which translates into about $31.ooAUD (about $21USD). I could have eaten these every day. 
Next time, I just might. 
In the photo above, you can see a slice of tiramisú, which can be had for the princely sum of just over five Aussie dollars. And by 'just over', I mean $5.01.
Next to this slice of cake is a coffee concoction that my wife tried. In a wide tumbler, some black coffee, with milk, with a lot of ice, topped up with a thick coffee-flavoured cream. And served with a little round shortbread biscuit.
Also in the frame is my Seiko Prospex Divers 200m, the solar-powered watch that I brought for the duration of the trip. Set-and-forget reliability.
It was a nice relaxing holiday, just the kind of quick break that we needed. 
And, despite the gut issues toward the end, I'd go back in a heart-beat. 
The people were very friendly, the sun was out, we did a lot of walking around, and nothing hurt. My feet didn't ache at the end of the day. Maybe it was the heat?

I had a disastrous typewriter transaction in February. Not wishing to relive it in any great detail, since its now pushing seven months since it all first occurred, I'll be brief;

* I bought an early '60s Antares Domus typewriter on eBay from a Seller in the UK.
* It arrived a couple of weeks later, packed in a re-used card-board box from Amazon, with a flattened edge and one corner slightly torn open.
* The typewriter was in its carry-case inside this box. The carry-case was wrapped in one single sheet of brown wrapping paper.
* I opened up the case, took the typewriter out of it and, as I did so, the carriage slid quickly over to the left. 
*Hmmm, I thought as I placed the machine down on my desk and slid the carriage return lever over to the right.
*No dice, the carriage didn't wanna play along, and it kept slipping back to the left. 
*Next day, I contacted the Seller and explained the situation. He offered to refund me some of the money that I paid for the machine. Is it of any use as it is?, he asked.
*Yes, I replied. As a paperweight. I basically have a three-legged greyhound here, I added. I then explained that I might be able to get it repaired by a fellow who's worked on my typewriters in the past, but this would no doubt be a costly endeavour. The typewriter repairman was Tom, the guy who has worked on nearly all of my typewriters. The wild card is that he last fixed one of my machines back in 2015. He was 68 years old back then and A) I'm not sure if he was still in business, and B) Lord knows what it would cost to get this done.
* I was thinking about getting a full refund, but the Seller explained that the item had been shipped through eBay's Global Shipping Program, so any discussion regarding shipping cost refund would have to be directed to eBay. 
* This was all getting complicated and convoluted. And, to be honest, I wasn't in the mood to have to pack this typewriter up again to send it back to the Seller. 
* I thought about keeping it and 

The Facts & Figures

The typewriter cost me 45GBP, which translated into about $90AUD.
Shipping was about 82GBP, which worked out to about $170AUD.
Total outlay so far was $267.79AUD. 
 
Okay, back to the point-form explanation;
 
* Seller offered me a refund of 50GBP, which was decent of him, I suppose, since this is the amount that he received. He didn't pay for postage, it was done through eBay's GSP. They basically paid for the shipping. 
* I wasn't finished with the Seller, though. I told him my main issue with this whole transaction was how poorly packed the item was, despite the fact that it was in a carry-case. A little more care and attention on his part would have possibly resulted in my receiving a properly working typewriter, as advertised. 
* He told me he had done all he could do. 
*Cool. I left Negative Feedback on eBay, explaining it all withing the confines of Feedback word limits and he countered my Feedback with a reply stating that 'the buyer had used eBay's Global Shipping Programme'-
* What!? I had no choice but to use eBay's GSP. No other shipping method or option was offered. 
* Like I say, it was getting convoluted and I didn't wish to prolong this saga any further. With this Seller, I left it at that. 
* It was time to tackle the next stage of this situation.
* I called Tom The Typerwriter Man and was glad to hear that he was still in business. Not so glad to hear that it would cost me $250.oo to get this machine fixed. 
* I dropped it off to his workshop. He remembered me from way back, which was nice. We chit-chatted for five minutes or so, and he told me to call him in a couple of weeks. He used to be the Authorised Distributor and Repairer for Antares typewriters back in the day, so I figured the machine would be in safe hands. As mentioned, he's worked on every one of my typewriters, bar one, so I had full faith in him. 
* Called him two weeks later and he said it was ready for pick-up. I headed over to see him and picked up the machine. He discounted the price down to an even $200.oo.
* I got the typewriter home, set it up, and fed a sheet of paper into the platen roller and started typing out that sentence about the quick brown fox. 
* This Antares Domus worked well enough, with a feel like an ultra-portable Olympia SF or Splendid 99, but not quite exactly like one. 
* And then it did that annoying joining up of twowords! I hateit when thathappens. It didn't do it often, and there's no rhyme or reason to it. It's just one of those things, to do with the escapement or space-bar. I wouldn't know exactly, since I'm not proficient with the inner workings of these things. 

Needless to say, I'm about $470AUD in the hole with this thing, which on any given day, is a $120.oo typewriter. 
So, I left it alone since I picked it up from Tom's workshop. And nothing against Tom. This might be as good as this machine will get. Or maybe my typing speed is the cause. 
Either way, it's all been a poor experience from the get-go. 
So, I think I'll donate it to a place in the city that people visit to create zines and such. They already have a few typewriters, so maybe they'll appreciate one more. 
Could'a sworn I said I wasn't gonna go into any great detail with this. 

Anyway, onward and upward. Fast-forward to the first week of September, and picking up from the typecast that started this post...

Wristwatch-wise, the Rolex Explorer got a lot of wear since my last post;
 
That's a small slice of mint-flavoured Turkish Delight. Dusted in icing sugar, it goes nicely with an espresso.

READING

I have to say I haven't been churning through books the way I did last year. Twenty-twenty-three saw me go through 12 novels and 3 novellas. This year seems to have stagnated considerably. 

I read a Marlowe novel called The Second Murderer, by Scottish crime writer Denise Mina. I have to say that finally, somebody - besides Chandler - got Philip Marlowe right. And I think it's great that it took a dame to show the boys how it's done. 
Hard to know when the story is set. It could be late 1930s or possibly mid-1950s. There are a few mis-steps, such as somebody being referred to as a 'railroad magnet' instead of magnate, but I think this has more to do with poor editing rather than writing. So impressed with it I was, that I had planned to write a letter to Ms Mina or her agent, but I think it might need a re-read before I do this, as I had some questions I had wanted to ask about it. 
The story concerns Philip Marlowe's search for a missing heiress. Mina does a great job with Marlowe, making him a much better facsimile of Chandler's character than other male crime writers who made attempts over the last four decades. Although, I've yet to read Robert B. Parker's two Marlowe books, entitled Poodle Springs and Perchance To Dream.
Mina's book captures Philip Marlowe's solitary nature and sharp mind, and she illustrates a seedy and down-town vision of Los Angeles in this tale. 
Yep, I'll definitely have to read it again. 

What else, what else. Oh yes, I was struggling to get through Bullet Train by Japanese author Kotaro Hisaka. My main bug with it is not the story itself, but the use of present tense narrative. I've never been a fan of the he-does-this, he-does-that form of storytelling. One review praises its use, saying that it adds to the immediacy and pace of the story. 
Maybe I'll get back to it at some point. Because, unless I really don't like a book once I've started it, I hate to leave it unfinished. 

After reading so much fiction last year, I thought I'd take a stab at non-fiction throughout 2024. I bought a Humphrey Bogart biography a few years ago. This book was begun by Ann M. Sperber, who had previously written a very well regarded biography on Edward R. Murrow. 
She conducted around hundred-and-fifty interviews throughout the 1970s and '80s with people who had known or worked with Bogart, from childhood friends to movie industry names from both sides of the camera. Sperber died in 1994 and her manuscript of the book was continued and completed by Eric Lax and published in 1997.
The result is an exhaustive and very well-written biography, a rich portrait of a man with complex and varying sides to his personality. He could be quite cruel and cutting, more-so after a third Martini, yet he could also champion the underdog. Bogart had a privileged upbringing in upstate New York, the son of a surgeon and a famous illustrator. 
He spent ten years working on the New York stage on Broadway and had no prior acting lessons. He was known to complain about a lot of things, earning himself the nickname "Bogie The Beefer". 
However, he was also punctual every day, and would be in his dressing room with the script while the lighting guys rigged up the set. Then he would arrive on-set to deliver his lines in a couple of takes. 
He spent a majority of the 1930s on the New York stage and delivered a great performance as escaped convict Duke Mantee in The Petrified Forest in 1935 during its theatrical run. Leslie Howard was the star of this stage production and he soon purchased the rights to this story so, when Hollywood came calling, Warner Bros. signed him up for the screen version and he stipulated that production would not commence until Bogart was cast as Mantee in the movie. The studio wanted to cast Edward G. Robinson as Mantee, but Leslie Howard was adamant about Bogart. The studio relented in the end, but Bogart's career would be marred by his ongoing contract battles with studio head Jack Warner.
All in all, it was a thoroughly interesting book.
 
The Tudor Ranger got a little time on the wrist back in May. Not sure if this one will stay or go, to be honest. For now, it's a keeper, but my fickle tastes may change at any given moment.
 
Another book that caught my eye was A Waiter In Paris, by a fellow named Edward Chisholm.
As the title suggests, this book is about a waiter in Paris. Our  narrator is a young Englishman with aspirations of becoming a writer. Currently living in an apartment in Paris with his girlfriend,  she soon tells him that she's landed a job at a gallery in London and plans to leave in a couple of weeks and would like him to go back to England with her. He has no plans to return to the UK, figuring that he'd like to follow in the footsteps of George Orwell and Ernest Hemingway, hoping to be inspired by the City of Lights. 
Of course, he hasn't really thought things through and by month's end, he's living out the remainder of the soon-to-expire lease on the apartment, with around 200 Euros in his pocket and no other possessions to his name.
In a country where he doesn't speak the lingo, either. 
So, he sets out to get a job in a restaurant, but without any hospitality experience or French speaking skills, he winds up as a runner in a small and seedy - but busy - bistro where the waiters work very long hours and try to cheat each other out of tips and scraps of food. It's a very bleak position that he's put himself in and the book outlines his attempts to find someplace to live and sleep while trying to earn enough money to buy a packet of cigarettes. All the while, the other waiters (and one of the managers) view him with distrust and contempt. 
The introductory chapter felt a little clichéd, but it soon showed itself to be a very well written book. Made me go out and buy Orwell's Down And Out In Paris And London, which I'll tackle some other time. 
 
I've also been slowly working though a book called The Notebook - A History of Thinking on Paper, by Roland Allen. It's a history of how notebooks were first used and their evolution throughout the centuries and how they derived and expanded from early accounting practices and ledgers in Florence and other cities of the world throughout history. Some chapters are slow, to be sure, but it has been an interesting read. 

Other watches worn since March...
 
The 1982 model Rolex Submariner 5513 has been worn sparingly so far this year. I've found myself reaching for the Tudor Black Bay 58 more often. 
Whilst this Rolex was a Grail Watch for decades, I've found myself babying it a little in recent years. Its plexiglas crystal is more prone to scratching than modern sapphire crystal, for one thing. 
This has had me thinking about whether or not this particular watch will stay in the collection. It has a deserved iconic status in the history of dive watches, without a doubt, but I view my watches as things to be worn and used. That's what they are for, after all, so if I find myself being a little too careful with a watch, then I begin to rethink its place in the collection. This will require a little more thought and consideration. If I do decide to move it along, I'll first have to give some serious thought to what will replace it. And, just as importantly, if not more so, whatever I decide to do, there can be no regrets. I've been down that road and it sucks. If or when the time comes to sell this watch, I'd better be damn sure. 
For now, though, it's a stayer.
 
And here's the watch that usurped the Submariner's place at the top, the Tudor Black Bay 58. An instant classic (in my view) on the day it was released in 2018, this watch has sold like crazy in the ensuing years. 
Not much I can fault with this watch. My only quibble is the clasp, or rather, the length of it. It doesn't perfectly follow the curve of my wrist, which has more to do with the small diameter of my wrist than it does with the clasp itself. Still, I managed to fit an after-market half-link to the bracelet and this alone has improved the fit of the watch. It now fits about 95% perfectly. 
Good enough for me. 
I've had this watch since Boxing Day 2020, so it may be ready for servicing in about a year or so, but something tells me it may still be a few years away from requiring attention. 
The Rolex brand gets a lot of well-deserved and earned attention. It makes some phenomenal watches, without a doubt. However, Tudor is nothing to sneeze at, as far as I'm concerned. While watch snobs will refer to the brand as 'the poor man's Rolex', one needs to remember that Tudor was devised by Rolex founder Hans Wilsdorf to be the Rolex-type watch for the working man. Tudor cases, crowns and bracelets were supplied by Rolex, while the actual movements were out-sourced. This helped make Tudor watches affordable and they were always considered the sister brand to Rolex. 
This has changed over the last ten or twenty years, as Tudor and Rolex have put a little separation between them, but this here is a brand with its own history, classic models, and personality. 
 
The 36mm Omega Railmaster has gotten a new lease on life since I put a new bracelet on it. It was a convoluted process and I wasn't sure it would work, but it involved using the parts from two different after-market bracelet manufacturers in order to arrive at a look and fit that I was happy with. 
I like the simplicity that you get with a simple three-hand watch. No date, just the time.
 

Okay, I think I'll wrap it up here for now. There's more that I could write, I suppose, but I'm running out of steam as well as inspiration right now. 
 
I hope you've been well this year so far, and thanks for reading!

Wednesday, 27 March 2024

Reading/Time No. 4 | September - December 2023 - The Book/s I Read, The Watches I Wore, and One Typewriter Leaves While Another One Arrives

 

Oh, one typewriter that I’m most likely gonna shift - I have an Olivetti Lettera 22 that has always been problematic, but seems to have gotten worse recently. The ribbon doesn't seem to advance any longer. Aside from that, the original problem was that the carriage locks up when it gets to the end of a line and the bell rings. So, rather than spend time, energy and money on getting it dealt with, I think I'd rather just get rid of it as a fixer-upper or parts machine for somebody else.

October 2023
 
I didn't read much throughout September. Our wonderful cat Dussy's health deteriorated rapidly in the first week of that month and we made the painful decision to put her to sleep. See my post from around that time, as my eyes are welling up a little as I write this. I spent a couple of listless weeks concentrating on work during the day and not much else once I got home. I may have gotten a little run-down too. Thought it was hayfever, then suspected it might be Covid. Did a test. It was Negative. Went to the doctor. Turns out it was a 'flu. My wife and I would be going to Vietnam a week later, so I took things easy. Felt back to normal a few days later.
 
Okay, the books I read. After finishing London Rules, I sped through two more of Mick Herron's books. These two aren't part of his Slough House series, but they do still take place in the corners of that world, with some guest appearances from characters and/or departments that are touched upon in previous novels.
Nobody Walks concerns Tom Bettany, an ex-MI5 operative now working at an abattoir in France. As far a cry from his former life as possible, when he gets a message telling him that his estranged son has died in London. He heads back to England and finds that more than a few people from his former life are interested to learn that he’s back in town. This book has a le Carre feel to it in terms of mood and plotting. I don’t normally look at what’s occurring between the lines when I read a book but this one had a strong theme of ‘closure’ permeating throughout the narrative.

The Omega Seamaster Professional 300m, which I purchased way back in November 1999. This watch hasn't seen much time on the wrist in recent years. Most likely due to the skeleton hands, which I've found tricky to read in low light as my eyes age, along with the rest of me. I do think there are aspects of this watch that have dated over the years, such as the aforementioned hands. I've also found the wave pattern of the dial to be another element of this watch which firmly plants it back to the late Nineties, although it doesn't tend to stand out as much now as it used to. Those hands, however, had been on my mind whenever I'd wear the watch, but I had a plan to do something about them. 
More about that later in this post - if it's a short one - or in the next post.
 
The next Herron book that I read was called Reconstruction, and it starts with a young man on the run who busts in on a kindergarten and takes a group of teachers and children hostage, demanding to speak to Ben Whistler, who works for MI6...in the Accounts Department. The first few chapters establish each of the characters caught up in this hostage situation. Again, looking for a theme of the book, the phrase 'nobody is really who they seem to be' kept flittering through my head. With the exception of "Bad" Sam Chapman, Head of MI6's Internal Security Division, otherwise known as 'The Dogs'. He's a chain-smoking cynic and he remains so throughout this book and other Herron novels set at Slough House. 
I like Herron's writing style. He's hammered out 19 books since 2003, beginning with a mystery thriller called Down Cemetery Road. He wrote Reconstruction in 2008 and began his Slough House series in 2010, with Slow Horses. He has stated in recent interviews that he's given some thought to ending the Slough House books which, to me, would be a shame. Although, an author does run the risk of churning out crap if they start to feel a little burn-out regarding a long-running series. 
Once I'd finished these two Herron books, it was time to revisit a novel that I first read when The Wall was still up.
 

 
 
 
 
 





It would be fair and justified to say that le Carré's books should be viewed as literature as much as espionage fiction. Which is why so many of his works are considered classics.
















In some ways, this book first appears as a 'small story' which concerns the efforts of CIA operative  Claire Saylor as she  attempts to meet with East German Stasi intelligence officer Emil Grimm so that she can convince him to  steal some of these decommissioned files before the Stasi destroys them. 
The story moves at a good pace and paints a good picture of Berlin in the post-Cold War months as East Germany begins to crumble. Fesperman is an accomplished espionage author with a prolific back catalogue of titles and his journalistic background lends a deft hand to his writing an research. 

After finishing the Fesperman book, I decided to read another book that I hadn't touched since the mid-Eighties. Aside from spy fiction, I was also heavily into hard-boiled crime fiction of the '30s and '40s. Reading through much of Dashiell Hammett's works eventually led me to his last full-length novel from 1934, The Thin Man.
The story concerns ex-private detective Nick Charles, who's married to railroad heiress Nora. Nick spends his days as an executive for this railroad company when he and Nora visit New York prior to Christmas. 
He bumps into the daughter of a former client and gets roped into looking for her father, who hasn't been seen or heard of for some time. 
It's a fun book in a lot of ways. Within the first ten or fifteen pages, I'd lost count of how many drinks the Charles couple partake of. 
Hollywood churned out six Thin Man movies throughout the '30s and early '40s, starring William Powell and Myrna Loy as Nick and Nora. It's fair to say that this book, and the subsequent films, cast a very long shadow, as their influence can be seen in TV shows of later decades, such as Hart To Hart and Moonlighting.
Re-reading it now that I'm much older, I found myself preferring the characters and dialogue rather than the story itself. It's a shame that Hammett never wrote a few more of these Nick and Nora books, as their lightness of tone was vastly different to his earlier detective stories. 
 
Finally, the Omega Seamaster Professional 300m that I mentioned earlier.
 
First introduced in 1993, it replaced the Omega model Seamaster 200, which had been in production since the mid-Eighties. This new version did respectable business upon its release, but it wasn't until it adorned Pierce Brosnan's wrist in his first OO7 outing Goldeneye in 1995 that sales began to soar. 
I began working in the wristwatch industry back in late 1999, a few weeks after I bought this watch and over the next decade, I saw just how popular this watch was. 
It's a well made and robust dive watch which walks that very fine line between dressy and sporty. No mean feat.

In recent years, though, I found the skeleton hands a little difficult to read in low light, given the sparse amount of luminous paint used on the hands. 
I knew that there were a few things I could do about this. One option, which I had seen done by other owners of this watch, was to use the hand-set of the other Seamaster model of the era, the 2254.50.00 model;

























 
I gave this option some serious consideration, but found that this hand-set's hour hand appeared a little too short on the Bond model. Also, I wasn't a fan of the way the minute hand tapered down towards the middle of the dial.
I was about to give up when I read of another collector who used the older hand-set from the vintage Seamaster 300 model of the 1960s. I have one of these;
 
Notice that the minute hand on this model retains its width, like a picket-fence paling. 
Hmm, that might work very nicely indeed, I thought to myself. 
Next day, I discussed it with the watchmaker that I work with and he said he had a set of these hands lying around somewhere at home and would take a look for them. 
One thing though; while the hour hand's hole will slot right into position, the hole at the base of the minute hand needs to be 'breached' slightly in order to fit on the central pipe that the hand attaches to. Basically, it needs to be filed/reamed a little.
My watchmaker didn't see a problem with this. It's the sort of work that he's been doing since the early 1980s. 
And so, a few days later, he found the hands and I brought the watch in to work. 
No rush, I told him. He had it done by next day. He's a terribly nice guy. 
Anyway, the end result;

 
And we end up with a super-legible hand-set. Not only that, but this hand-set design harks back to the classic military Seamaster 300 and Rolex Submariner dive models that were issued to Royal Navy divers back in the 1970s.

 
In a further attempt to de-Bond the watch a little more, I may look at changing the bracelet. All of these changes are easily reversible, which was my main concern. 

Either way, I now have a watch that I can easily read again. Because that's what a watch is for.

I hope you've all been well.
Thanks for reading!
 
  

Tuesday, 4 January 2022

My Most-Worn Wristwatches of 2021

Wednesday, January 5th, 2022 - 1:57pm AEDT

                                                                         Okay, so 2021 is over, and it's time for my annual write-up on the wristwatches that spent the most time on my wrist throughout the year. Turns out that I wore a watch 368 times last year. Which means every day of the year plus a few swaps throughout the day on a few occasions. 

Rather than just another collection of photos of the Top Eight Watches of the year, I've also included some other items in each photo. Turns out I have a few other collections. 
My way of thinking is that if I have three or four of a particular thing, it's a collection. Socks  and underwear don't count.

Anyway, let's get started. In the Number One spot was a watch that I knew would gain the top spot, but I was staggered by how often I wore it last year.

No. 1 - Tudor Black Bay 58

I wore this watch on 115 days in 2021. A landslide. It's not a perfect fit on my wrist. The clasp bridge section is quite long and its curvature doesn't follow the curve of my 6.5 inch wrist, but this is a minor quibble. What this watch does right, it does very right. I'm tempted to put it on a leather strap over Summer, to give it a little more wear and tear, but for now, I'll leave it on its bracelet.                                  For me, this watch represents what the Rolex Submariner dive watch used to be, up until around 2010 when they made some major changes to the case design.

One of my Instagram followers, @libations_and_explorations, summed it up nicely;

In my opinion, the Tudor Black Bay is the real Rolex Submariner of today. It is high quality, expensive, useable, but not insultingly overpriced either.

I agree. Don't let the word 'expensive' throw you off. In this instance, it's expensive because it's extremely well made, and you get what you pay for. 

Also in the frame;  

Camera - early '80s Olympus OM2n - I had one of these back in the early '80s and I stupidly sold it to fund the cost of repairing a Polaroid SX-70 Land camera. About five or six years ago, I got on eBay and bought this model. Then about a year later, I bought a spare because the price was dirt cheap.

Sunglasses - We were in Paris back in September 2016 and I wanted to buy something to commemorate the trip. These are Persol 649S (for small) Havana brown frames. 

Pen - a Parker Sonnet ballpoint. Got one off eBay and it began to fall apart about three months later. Took it to a pen store and they sent it off to Parker for repair under warranty. Turns out it was a fake! I was given the option to purchase a new one at a heavily discounted price, as a Goodwill gesture on their part. Suited me fine. Of course, they kept the fake. That was cool too.

Typewriter - my Olivetti Lettera 32 that I bought back in 1981. Hammered out a lot of book reports and assignments on this thing.

 No. 2 - ORIS Divers Sixty-Five

Worn 58 times last year, this one is a favourite. Slim case, perfect 40mm diameter, easy to read. And it's what watch collectors call a 'strap monster', which means that it tends to look good on just about any strap you put on it. This model, with the four sci-fi styled numerals on the dial, was discontinued a couple of years ago, which I think was a mistake. Sure, it's not everybody's cup of tea, but it's such a distinctive look. 

Link to my review from about three years ago;

Also in the frame; 

Camera - 1970s Yashica GSN Electro 35. I loved the retro look of this large rangefinder camera. I think I've only run one or two rolls of film through this thing and the results were nice. 

Sunglasses - The classic RayBan Clubmaster frames. These frames have quite a few screws holding them together, so it's wise to keep them in their case when they're not being worn. 

Pen - A Caran d'Ache 849 ballpoint. A gift from ORIS. A nice sturdy ballpoint pen with a one-piece barrel. You have to unscrew the push-button at the top in order to replace the refills. 

Typewriter - My son sent me a photo of this Blue Bird typewriter one afternoon after spotting it at a Thrift Store; "Forty-five dollars. Do you want it?'' 
''Sure!", I replied. 
It types nicely, although some of the keys are beginning to lift. Has a similar look to my Olympias.

 No. 3 - Seiko SKX009K

I got this one in late September and it clocked up 27 days on my wrist. This is one of Seiko's most well-known designs, having been in production from around 1996 until a couple of years ago. The black-dialed version is the SKX007, but I opted for the deep blue dialed model instead, with the blue and red bezel. I figured my collection had enough black dive watches in it. 
This is the 009K, which means that it was assembled at Seiko's plant in Malaysia rather than Japan. If you want the Japanese version, look for a 009J. These are still reasonably easy to get. The surest tell-tale difference is that the Japanese-assembled models will have ''21 Jewels'' printed on the dial. 
Mine came with a rubber strap, which I promptly removed and replaced with the metal bracelet that I got about ten years ago for another Seiko watch which I have since sold. 
This is one of those watches that I used to see back in the '90s on the wrists of middle-aged surfer dude types that would frequent a cafe/bistro that I used to work at.
Seiko models in this price range ($100 to $600AUD) are known for their 'leisurely' timekeeping, but I have to say that this one seems to be keeping pretty good time throughout the day. Another reason why I opted for one of these was because it features a day and date window. I dunno about you, but I get those days after a public holiday or long weekend  where I go in to work on a Tuesday and it feels like a Monday. Throws my whole week out of whack. By Friday, I don't know what day it is. 

Also in the frame;

Camera - Another Olympus OM2n, but this is the all-black bodied version, which is what I had back in the early '80s. 
 
Sunglasses - a pair of Persol 2679-S frames that I got about fifteen years ago. Beautifully made. Their design is not currently in fashion, but no big deal. Everything comes around again, and these are a classic narrow frame that look like they could have been made in 1962, 1992 or 2012. 
 
Pen - a Shaeffer ballpoint that I think I got as a swap with my boss at work. Can't remember what I gave him. 
 
Typewriter - Olympia SM9 from late 1966. This thing seems to have been barely used by its previous owner, or they really looked after it. Writes like a dream.

 No. 4 - Omega Planet Ocean 1st Generation

This one is a favourite, and it was worn over 21 separate days of 2021. As I have so many leather straps scattered around, I figured I may as well get some wear out of them. Ideally, though, I should probably wear leather straps through the Winter months when A) there's less chance of them getting wet, and B) less risk of them wearing out through exposure to perspiration. 
The Planet Ocean series has seen a few iterations since it was first released in 2005, but I think Omega got it right the first time. This 42mm version was sported by Daniel Craig in his second Bond outing Quantum of Solace in 2008. I got mine in 2006, as a gift from Omega for selling the highest number of their watches during a three-month sales period. Nice to know that, for once, Bond copied me!

Also in the frame;

Camera - a Nikon FE, produced during the brand's Golden Age, when they released one fantastic camera after another, throughout the 1970s. This one needs to be serviced, as the film advance lever doesn't lock when you wind on to the next frame. Aside from that, it works like a charm.

Sunglasses - Tom Ford 'Snowdon' frames. My wife got these for me about eight years ago off eBay for $20 bucks! Then, Daniel Craig wore the same frames in SPECTRE in 2015. Once again, OO7 took a leaf out of my book. These frames have a very '1960s' look to them. 

Pen - a Lamy Studio ballpoint. This has a twist action to expose the point of the refill, which is not my favourite type of pen. I prefer a push-button, as it can be used one-handed. Back in my two decades of working in restaurants, I got used to having a pen in one hand and a notebook in the other, which made for a smoother and quicker method for taking orders at table. 
Having said that, this is a nice pen to use, with a lovely weight to it. 

Typewriter - a circa 1956 Smith-Corona Silent Super. This brand made some great typewriters in the '40s and '50s, and this is one of their classics. Nice snappy action to the keys and type-slugs as they hit the page.

 No. 5 - Omega Seamaster 300 WatchCo Edition

Right behind the Planet Ocean was this watch, which I wore over 20 different days last year. Omega put its own spin on the dive watch back in the late 1950s and this iteration, which dates back to 1964 represents, for me anyway, the pinnacle of their dive watch design aesthetic. I've often said on watch forums that Omega should have kept this watch in uninterrupted production, with just some minor changes over the years, to allow for improvements in technologies and materials, etc. 
There's a reason why the Rolex Submariner dive watch has attained such a classic status over the years. Rolex are known to be slow in making changes and this resulted in a dive watch that stayed on the market virtually unchanged for decades, thus becoming an iconic wristwatch that is found in almost any Top Ten List of the best watches ever made. 
In my view, Omega could have achieved a similar result if they kept this watch going through the decades. 

Also in the frame;

Camera - the Nikon FM2, another classic of theirs. This one may need servicing also, but it seems to work okay, although I think the internal light metering seems a tad sensitive. 

Sunglasses - Randolph Engineering Aviator frames that I bought about fifteen years ago. These are a spare pair that I keep in my work bag.

Pen - Mont Blanc MeisterStuck 146 ballpoint. This is a reconditioned pen that I got a couple of years ago. As with any ballpoint pen, they are only as good as the refill inside them, in my humble opinion, and this pen does write very nicely. 

Typewriter - the late 1950s Tower Chieftain III, which is a Smith-Corona Skyriter rebranded for Sears Department Stores back in the day. A nice machine to use, and very compact too.

No. 6 - Tudor Ranger

This one was worn 19 times last year. It came out of nowhere late in 2020. It was offered to me at a good price and I found it difficult to say no. The previous owner told me that he had it serviced once during the time that he owned it. I had it checked out after I got it and the original rotor was replaced with a generic ETA rotor. No biggie. 
This watch was based on the Rolex Explorer model. Tudor watches were made by Rolex and they used ETA movements in them instead of in-house Rolex movements. As such, they were lower-priced and aimed at a wider customer demographic. The cases, winding crowns and bracelets were made by Rolex, but the movements were outsourced. This watch measures 34mm in diameter, which is as small as I tend to go with watches. This one has certainly led a life, as can be seen by the condition of the dial and hands. It's had some water-entry at some stage and I'm sure that it's due for another service. Something that I'll get around to at some point. 

Also in the frame;

Camera - Nikon EM from late '70s/early '80s. I had one a few years ago, then sold it. This one was about $40 bucks on eBay. Body only. The lens was another $70. 

Pen - Fisher AG-7 Space Pen. I love the look and feel of this pen. It's very solidly built. I just wish the refills provided a smoother writing experience. Although, maybe that's the compromise for having a pen that writes at any angle. 

Sunglasses - Five bucks from a Thrift Store. There's something very "1970s helicopter pilot" about these frames. 

Typewriter - Circa 1958 Groma Kolibri. The smallest one I have. Just slightly taller than a box of matches. Writes nicely, if a little loud.

No. 7 (equal place) - Rolex Submariner 5513

A Bond watch. I wore it through 17 days last year. The Tudor Black Bay took some of the limelight away from this watch and I did give some serious consideration to selling this one. I spoke to the watchmaker I work with. He said hold on to it. I spoke to a watch dealer that I know. He said hold on to it. Even my wife said hold on to it. She added that I had wanted this watch for so long that it would be a shame to get rid of it. Then I put it on one morning and decided that I was foolish to even think of getting rid of it. I'll look at getting it serviced sometime in 2022, as I think it may be due for some attention. 

Also in the frame; 

Camera - a circa 1968 Nikon F Photomic. This thing weighs a tonne. I really should load it up with some film and give it a bash. 

Sunglasses - Moscot Lemtosh, in tortoiseshell. I got these in Bangkok in 2014. Great lenses, and they have a nice ''Sean Connery in From Russia With Love" vibe. 

Pen - a Parker 75 ballpoint in gold-plate. Nice pen to write with, but the clip is so flimsy. If you have it clipped inside a shirt pocket and you bend down to pick something up off the floor, the pen will slip out of your pocket. 

Typewriter - a circa 1947 Royal Quiet De Luxe. Sometimes, if you type too fast, it will join two words together, which can be annoying. It's an idiosyncrasy of this model. Well, it is a 70+ year-old machine. This is the model made prior to the Henry Dreyfuss revamped design of 1948.
Bond author Ian Fleming purchased a gold-plated version of the Dreyfus model to write his first book, Casino Royale.

No. 7 (equal place) - Seiko SARB033

In equal 7th place, with 17 days on the wrist is this clean and clear dress piece. This one works nicely on its bracelet and it looks equally smart on a plain black leather strap. This would make a good all-purpose wristwatch. 100m water-resistance, a nice and neutral 38mm diameter, which would suit a wide variety of wrist sizes, this is a watch that punches well above its weight. This watch was discontinued a few years ago and has become quite sought-after since. 
 
Also in the frame; 
 
Camera - Olympus Pen F digital. This is a micro 4/3rds camera . I did a bit of research prior to buying it. In the end, the range of functions and its retro design won me over. It's been a great camera. 
 
Pen - a Lamy Logo ballpoint. Nice design, if a little flimsy. The clip came off once and an internal spring fell out. Took me a few minutes to put it all back together. A good pen, though. 
 
Typewriter -  a circa 1951 Olympia SM2. Writes like a dream. I think Olympia are my favourites. They are such rock-solid typewriters. 

No. 8 (equal place) - Omega Railmaster 36.2mm
 
I wore this one 15 days last year. It's a favourite. My one issue with it is the clasp. It's a design that dates back to the early 1990s and I'm not a fan of it. I've been thinking about maybe swapping it out with an Omega clasp from another model, but this will require some fine measuring and some possible filing down of components to ensure that they fit. Might be a bigger job than I can handle. At the moment, the watch is on a Forstner flat-link bracelet, which suits it nicely, but it's a lightweight bracelet compared to the Omega original. 
 
 
And, if you want to read the review I wrote of this watch eight years ago;
 

Also in the frame;

Sunglasses - RayBan Wayfarers in tortoiseshell. I bought them in 1986, at the height of the Wayfarer craze, thanks to Tom Cruise popularising them in Risky Business in 1983. He wore the black frames, and everyone I knew was buying them. I opted for tortoiseshell. I have another pair of them somewhere, as well as a pair with prescription lenses in my car. 

Pen - Aurora 98 ballpoint pen. This was sent to me by relatives in Italy back in the mid-Seventies and it stayed in its box for almost forty years before I started using it. 

Typewriter - a circa 1953 Olivetti Studio. I love the entire look of this machine, but man, is it loud! This one will probably go at some point.

No. 8 (equal place) - Omega Speedmaster Professional 
 
As with the Railmaster, this watch was also worn on fifteen days in 2021. A classic 1960s chronograph design, which has been virtually unchanged for over 60 years, this watch deserves its place in wristwatch history, irrespective of the fact that it was also the Moonwatch, wore by the astronauts of the Apollo 11 mission in 1969. 
These days, it has its detractors, who lament the lack of sapphire crystal, the 50m water-resistance, and the fact that it houses a hand-wound movement, but for me, this is all part of its charm. 

Also in the frame; 

Camera - a plain and simple Olympus Trip 35 rangefinder. In production from 1967 till 1984, probably a few of these were used by spectators during the Apollo 11 astronaut's ticker-tape parade upon their return from their historic moon landing. Simple to use, just point and shoot, and it produces a very atmospheric photo. 

Sunglasses - the other pilot's-style frame, similar to the Randolph Engineering model, these ones are made by American Optical. Slightly larger than the Randolph's, and the main difference is that these have plastic lenses rather than glass. 

Typewriter - a 1960s Olivetti Lettera 22, which I bought recently. Not sure why, to be honest, as I'm in the mind-set of trying to thin out my typewriters rather than adding to them.

And that's it. The ten watches that got the most wear throughout the year. This is a good exercise, no matter what collection you might have, because it provides a broad view of what gets used the most, which may in turn help one to determine one's preferences. 

I've come to realise that I like the all-round dependability and practicality of a dive watch. Aside from dive watches, I tend to like the simplicity of a Field or Expedition watch. Basically, a black dial with a few numerals on it, with bold hands to contrast against it. 

I have to say that my vintage pieces barely got a look-in this year. Some of them require servicing, so that might explain it to an extent. I think, though, I was still in a long honeymoon phase with the Tudor Black Bay. 

Anyway, that's how it all stands. I've been wearing the Seiko SKX009 since New Year's Eve. As it has a day and date function, it's been handy. You know how the days blur a little in the first week or two of January? Or maybe that's just me. 

Thanks for reading, and stay safe!

Thursday, 27 February 2020

Feb 27th, 2020 - New Typewriter, Old Spy, Back to the Books & Recent Wristwatches.








































As with just about any typewriter of this era, the rubber feet, on both the machine and the carry case, have hardened and perished, so I'll be looking at replacing those at some point if I can get hold of a thin sheet of rubber. For now, placing the typewriter on a rubber mat does the trick, preventing the machine from veering off to the left as you write. 

The ribbon is pretty faded, although it does give an even imprint on the page. Thankfully, it's a 12pt font, which I prefer to the larger 10pt. Once I load it with say, a purple ribbon, it'll be a very nice typewriter to use. 

I had looked at these Blue Birds and Torpedoes from time to time on eBay, thinking that they'd be a nice typewriter to have. Although, I didn't really need another typewriter, but this one came along at such an easy price (in my neck of the woods) that it was difficult to say 'no'. 

I was wearing the circa 1969 Seiko Skyliner when this typewriter arrived. 


























I've gotten back into the reading kick lately. Took me some time, I must say. 
My son read a World War I memoir by German author Ernst Jünger called Storm of Steel. He bought it from Shakespeare & Co when we visited Paris back in 2016. 
Once he'd finished it, he recommended it to my wife and I. I began reading the book and it took me about six months to finish it. It wasn't a bad book. Far from it. Jünger writes very well. For me, the problem was that it was a memoir and his writings of daily life in the trenches of No Man's Land, while very interesting, were repetitive. Constant shelling from the enemy, night-time infiltrations across battlefields into potential enemy territory, skirmishes from one French provincial town to the next. I began to lose track of what had happened whenever I'd pick up from where I had left off. 
However, it was a memoir, so it was probably bound to show the Groundhog Day elements of the life of a soldier in this war. 
Despite that, I would recommend this book. 

After finishing it, I decided I'd stick to wartime fiction and read a couple of Alan Furst's books. He's written a lot of novels set in pre-War Europe and he does write a nice character. 
Then, about three weeks ago, we went out to an Argentinian restaurant for dinner. It was to (belatedly) celebrate our son's birthday. We all had a nice meal and then went for a short walk in the city. 
We stopped in at The Paperback, a tightly-packed bookstore at the top end of Bourke St that I discovered back around '86. I had a quick scan through the fiction shelves and was contemplating buying a copy of The Portable Dorothy Parker when I spotted a book by a fellow named Mick Herron. It was called Slow Horses and it was about a lowly sub-branch of British Intelligence where failed agents had been shunted off to, to perform menial tasks like reading transcripts of phone text messages and other crappy jobs. 
This misfit, rag-tag bunch pretty much hate each other and their boss is a guy named Jackson Lamb, a belching, overweight, unkempt has-been agent who pretty much keeps to himself in his own office.
And then, a young man is kidnapped and his captors announce online that he will be beheaded in 48 hours and the footage will be streamed across the web.

I had heard about Mick Herron on a podcast called Spybrary, where it was suggested that he'd be a good Bond continuation author. Whether or not that's true, once I read the blurb on this back cover, I was sold.

I wore the Oris Movember Edition Divers SixtyFive at some point;

Very comfortable on a nylon NATO strap. Regarding Slow Horses, it moves along at a good clip, and it does tend to have a cinematic feel to it, in terms of its structure and the way that the story unfolds. Although, in some ways, it seems unfilmable.
Still, it's a much more competently put-together story than some books I've read which contain very clichéd characters and situations.
I stopped reading one thriller, even though the premise was interesting because, aside from the clichéd main character, the second or maybe third chapter began with a the introduction of a female senator who's having an affair with a young intern. She's in her mid-50s and looks good for her age. She's using him because he's 27 and has a young man's stamina between the sheets. He, of course, is using her in an effort to get ahead in the corridors of power in Washington. It felt like an episode of some B-grade TV drama. As I get older, I have less patience for books, TV and movies that start to disappoint me. Too much good stuff out there to waste time on crap.
And I ain't gettin' any younger, hepcats.

I've read recently that a TV series of Slow Horses is in the works, and I think in some ways,  it'll test the ingenuity of the people involved. Be interesting to see how it shapes up.

Onto more spy-related stuff. Courtesy of the newly-arrived Blue Bird. Gave it a good run with the page below and I'm very happy with how it writes.
Anyway...






































I've had these three Len Deighton paperbacks since the mid/late 1980s.
They form the "Game, Set & Match" trilogy, which concern the exploits of a British Intelligence operative named  Bernard Samson. He spends almost as much time dealing with inter-office back-stabbing as he does at Checkpoint Charlie.

Don't ask me to tell you what happens in these books because I read them over thirty years ago. As luck would have it, I saw all three of these in hardcover at a local Thrift store and decided to snap them up. A week later, I took the paperback copies in. No point holding on to both.
Always loved the cover art of these. They were from a time when Len Deighton's works could be found in any bookstore. And, much like some of the Robert Ludlum paperbacks from the same era - when the author's name was printed on the cover in almost as large a font as the title - the back covers would offer a brief premise of the story along with snippets from reviews of the author's previous works.


Deighton, who turns 91 today (18th Feb) went on to write two more trilogies featuring Samson, but he has been a prolific writer for almost sixty years, having begun his novel writing career in 1962 with The IPCRESS File, which leans more towards the work of Le Carré than Fleming.
Like I said earlier, I love the cover art on these books. Done by the legendary Raymond Hawkey, who did some of the Bond paperback artworks in the 1960s, as well as the original hardcover art for The IPCRESS File. 

Anyway we had a cold weekend here recently and it seemed like a good time to cover some books. It was one of those niggling little jobs that I've been putting off for the last five years or so. I have a roll of library-quality book covering plastic and I decided that some hardback novel dust jackets could do with a little protection.
And, since I seem to have my fair share of espionage fiction that could do with some TLC, I figured I'd get started with those.
Because every spy needs a decent cover.

First cab off the rank was my first edition copy of The Man With The Golden Gun, featuring the wonderful trompe l'oeil artwork by Richard Chopping. This jacket has seen better days, so I was concerned about it possibly getting worse. Chopping's Bond covers always had a few recurring motifs running through them. Often, the items in the artwork were seen positioned on timber, showing the grain of the wood, and he (Chopping) seemed to have a fascination with flies, as they appear in a couple of the nine covers that he painted.  This one shows a gold-plated Colt Single Action Army, the weapon of choice used by Paco 'Pistols' Scaramanga, the freelance assassin who has a golden bullet reserved for Mr James Bond OO7.
I've written about these covers before. I love everything about them. The washed-out colours used, the often macabre arrangement of items, the pale timber backgrounds, and the inspired use of Cargo-Crate font for the text on the covers.
Some, like From Russia With Love or The Spy Who Loved Me are highly romanticised, instantly evoking Bond's world of sex and violence, while others, such as You Only Live Twice show something somewhat morbid and hint that the world of the novels is off-kilter.

At some point in January, I wore the Longines Heritage 1951. It has a much fuller name, but I get tired of writing it. Okay, for the last time, it's the Longines Heritage 1951 Expeditions Polaires Francaises - Missions Paul-Emile Victor.

There have been a couple of occasions in recent years where I've thought about selling this one, but whenever I wear it, I'm newly impressed with the simplicity and clarity of the dial.
It's a clean piece.

The book covering continued, and threatened to get out of hand, as I kept going back to the shelves to get yet another book that could do with a little more protection. The roll of plastic that I have had been stored away for almost ten years. And now here I am, about to run out of the stuff.

Anyway, the three Deighton hardbacks got the plastic treatment;

 As did the hardback 1st edition copy of Le Carré's Tinker Tailor Soldier Spy;

I can now finally get rid of the paperback version, that I've held on to since the Summer of '81. I even made a bookmark for it back then.
This post has taken so long that I've actually finished reading the book. As suspected, I was finally ready to read this novel and I enjoyed it quite a lot. Definitely deserves its status as a classic of the genre. And yes, it is a character-driven book and the characters are nicely realised.
I don't plan on reading the next book in this trilogy (The Honourable Schoolboy) just yet, as I'm still letting this first one settle.

Okay, I think I'll stop this post here. It's threatening to get much longer than I'd planned. I'll write a second part about the book covering, if any of you are interested, and that'll form the beginning of the next post, I suppose.

I wore the Oris Divers SixtyFive a few times throughout January. Here it is, in a small Japanese bistro where I sometimes go for a Yakiniku Beef bento.
I've gotten into a bad habit of buying my lunch a little too often in recent months. Anything decent and/or filling tends to cost about twelve bucks. Multiply that by five and that's an easy $60.oo gone right there.
My wife considers it a right waste of money and I tend to agree.  I'll go back to bringing in sandwiches or left-overs on a more regular basis.

I visited my dentist earlier this week and it seems that the root canal that I had done a few years ago has begun to crack and the tooth can't be salvaged. So, I'll be requiring a titanium implant. I have numerous items in line to sell, and a little bit saved in an account that I slowly sock money into each month. So, if I apply some tighter discipline with lunch, it shouldn't be too hard to get the funds together over the next three to six months.
I've stopped spending on coffee at work ever since we got a Nespresso machine in the office. Not my ideal, but A), it doesn't cost me anything, and B), I'm drinking a little less coffee throughout the day. Most days, anyway.

Anyway, more about that in my next post.
I hope you're all well, and thanks for reading!